The Starflower

Many readers of Strange Things Done are also writers of speculative fiction—science fiction, fantasy, magical realism, and/or horror—and are writing or have written novels. My posted stories, what I call bagatelles, are offhand pieces that I use to clear my thoughts while working on my own novel, The Starflower. I’ve only mentioned this in my profile, but it has been my primary writing effort.

Before final revision, I’m taking Ursula K. Le Guin’s advice to authors and giving Starflower a three-month rest. That said, I meet an agent next month and need a pitch … something one might see on a dust jacket.

Let me know what you think … too much, too little? I’m interested in all thoughts particularly from those with this sort of experience. Encouragement is also appreciated. Thanks, Keith

A possible dust jacket intro:

Twelve years into the Aldrakin War, on the eve of what will be the last battle, Gayle Zimmon, the commander of Five Squadron stands on the bridge of the Star Cruiser Lasalle in orbit around the engineered planet Bai-Yota. Disillusioned by the war and at odds with her commander, Star Lord Abramyan, Zim has almost lost hope for the future. Her combat team is all she has, and for their sake, she continues to wear the cold mask of command.

An allied squadron arrives with her old friend, the Tak-Yaki mantid named Tock, and together they win an improbable victory that ends the war. Zim’s dreams resurface. But when she is recalled to the capital planet Corydon, she finds it in turmoil. Creatives, genetically enhanced humans, are taking over the major planets, and Unders, those not worthy of enhancement, are being cleared.

Though an Under herself, Zim wants no part in this. Her war is over and she wants a real life. But the resistance has taken her military call sign, the Starflower, as its symbol, and the insurgents expect her to lead them. Abramyan and the sinister Star Council cannot risk her intrusion in the takeover, particularly in its last critical phase.

As the story develops, Zim returns to combat, faces assassins, reconnects with her lost love, discovers an alien prophecy, gets marooned, forms a compact with a pan-dimensional entity, and encounters aliens, soul-traders, artificial sentients, pirates, and robots.

The Starflower is a space opera on the scale and tradition of Dune, Star Trek, and Star Wars. Like those foundational epics, it creates a universe of alien cultures, technologies, and characters to live on in sequels and spin offs.

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DREAMS (1)

I’m interested in dreams and in others’ experiences. I never question them because my own dream experiences are so unusual.

People report visits from departed loved ones and angels as they sleep. Others are reminded of things they wish to forget—things they saw, things they shouldn’t have done, things they’ve avoided doing. Perhaps you’ve dreamed of true love or of achieving great things. Perhaps your dreams are of unnatural, unreal things, things that never lived and never should live. Everything is possible in dreams.

Dreams appear in serious literature. Hamlet’s main concern (Act III, Scene 1) in contemplating suicide is that he might dream, “For in that sleep of death what dreams may come?” Prospero comforts us in The Tempest (Act 4, Scene 1); what we’ve witnessed is simply illusion, bound sooner or later to melt into “thin air” … “such stuff as dreams are made of.”

In the Bible (Acts 2:17), Luke tells us that, “in the last days … Your sons and daughters will prophesy, your young men will see visions, your old men will dream dreams.”

Freddie Krueger gets your attention.

Dreams play a major role in speculative fiction. Has the sound of Freddy Krueger’s claw fingers screeching across bare pipes chilled you in Nightmare on Elm Street? Have you wanted to get into others’ dreams and steal their secrets like Dominick Cobb does in Inception? Maybe you’ve wanted to alter past and present reality, like George Orr does in Ursula Le Guin’s novel and movie, The Lathe of Heaven.

In my dreams, I seem fully aware. Sometimes I suspend disbelief and enjoy the show as entertainment. Other times I interact to affect the outcome. Memories of these experiences carry from dream to dream, enabling me to learn from them and form long-term relationships with my ‘dream people’. I’ve kept some of these friendships since early childhood. Rob, Connie, Josh and I have grown up together.

My dream friends help me solve problems and have demonstrated knowledge I don’t believe that I ever possessed. When they reveal future events that then occur, it gives me pause. My dream friends have also given me the impression that all dream creatures dwell in a common dreamscape.

In 2001, I saw A Beautiful Mind, the fine movie about John Nash, the Nobel Prize winning mathematician who was plagued by schizophrenic delusions. In those delusions, fictional people beset Nash to the point where he couldn’t differentiate them from real people.

That night my dream friends visited me. They screamed. I listened.

Rob stabbed the air with his finger while he paced beside my bed. “Never, never, can a dream person interfere in waking life … not in that way.” He shook his finger in my face. “You have to know that, Keith. You have to know we’d never do that to you. That’s criminal.” I nodded. Two other dream friends nodded, too. “Nash’s dream people broke the code.” He shook his head in disgust.

I assured everyone that I understood and trusted them. We hugged and they let me go back to sleep.

In my next post, I’ll tell you another dream story: how a series of nightmares brought me this unusual gift. In the meantime, “Row, row, row your boat,” and remember, “Life is but a dream.”

Have you had unusual dream experiences?