Opening Soon

Kaylee felt a great cold emptiness after their breakup, like a railroad spike driven down through her heart then pulled out. She’d been with Tim for three years. Three years. He had told her that morning at Holly’s Café: He and Stasi were getting married in October.

After delivering his news, Tim dashed off without finishing his coffee, late to meet Stasi and make arrangements with Father Antonio at St. Mary’s. Quaking as she left Holly’s Café alone, Kaylee found the nearest bench along the street.

A taxi pulled to the curb, and a young woman in a white tennis outfit jumped out. A tall, fit man in red running togs and a white Adidas shirt caught her up and embraced her. After remarking how good their timing was, they passed Kaylee and went into Holly’s. Three pre-teen girls walked past, laughing, carrying books and a jump rope, and saying, “My momma, she … My teacher said …”

Kaylee heard none of it. Staring blankly, she barely noticed when the rain began to fall, gently then heavier. Dark spots widened on the pavement to join others, forming hopping splotches that ran to the drain. Kaylee rushed for home, grateful for the drops that cooled her tear-streaked cheeks.

Then the sky burst. Wind-blown rain lifted Kaylee’s dress and soaked her legs. People covered their heads with packages and backpacks as they ran, and cars dancing with rain sent waves up from fast filling puddles. Ducking onto a walking street, Kaylee leaned against the yellow brick on the lee side.

The rain picked up and wind shifted. Kaylee took cover under an old theater marquee and wondered how long she would have to wait.

A wide banner spanned the theater’s glass double-doors, red letters on white, THEATER printed diagonally on one door, CLOSED on the other. Inside the lobby was dark. Cupping her eyes against the glass, Kaylee saw an empty counter, an upset refuse bin, and playbills of past shows in framed, glass cases.

She pulled the handle and the door opened. The lobby smelled like a moldy, old theater complete with worn red carpets. Tan, threadbare paths leading to the auditorium arced around both sides of the service counter. Kaylee pushed through one of the doors and entered.

The auditorium was cool, dark, and dank, with a steady sound of dripping water. In the faint light from exit door markers and the ends of the rows, Kaylee saw the aisle sloping down in front of her and the outlines of seats—a quiet place to think. She took a seat in the fourth row, three seats in. As her eyes adjusted, she detected scattered trash and a broken seat with torn upholstery in her row. The dim-lit stage had no curtains and was bare except for a card table near center stage, three folding chairs, and a shaded floor lamp.

Something scurried at the foot of the stage. “Maybe it’s Tim,” Kaylee snorted, but she knew she couldn’t dismiss him that easily. She felt too empty to be flippant. He’d been so cheerful that morning, telling her his big news, seemingly unconcerned about her feelings. Was it really that easy for him? She would never feel his hands again or his kisses. When she reached over at night or looked across the table, he wouldn’t be there. No more running in the surf together or flying kites. Would she hear his laugh again, feel the same thrill, possibly in harmony with another laugh? Would she laugh again—ever?

The sound of unhurried footsteps crossed the dark stage then the lights came up bright. Kaylee blinked, blocking the glare with one palm. A lanky, young man in faded jeans and a white T-shirt strode onto the stage. He slapped a sheaf of papers on the card table and rattled a metal chair as he sat. Pulling one sheet off the stack, he crossed his legs and leaned back to read.

A woman walked to the front of the stage then down the steps, turning to sit in the front row. She had long graying hair and wore a loose smock. After nodding to Kaylee, she spoke to the man on the stage.

“Will Jenna be joining us?”

“The metro tunnel is flooded. She’s stuck between stations.”

The woman leaned one arm across her seat and turned to Kaylee. “Excuse me, Ms., if you have a few moments, could we ask you to sit in, just until Jenna arrives, and read a few lines?”

Kaylee sat up, thinking of leaving.

The woman said, “You know, My Dear, Life Goes On?”

“Excuse me.”

“The play, you might have heard we’re doing one by our local playwright, My Dear, Life Goes On.

“Of course, I’m sorry. My mind was wandering.” She introduced herself to the woman then to the man, who handed her the script for Jenna’s part.

After reviewing her lines, Kaylee noted that the card table had a white cover cloth and its legs were carved wood. Her seat had become an armchair upholstered in brocade. When she looked up, the man was wearing a white dinner jacket and she a strapless gown.

10_oriental_theater_chicago-e1483917340596Heavy curtains parted to applause, and the lights spotted the dinner scene—all quite lovely. Kaylee stumbled reading her first lines, but no one seemed to notice. Her gestures slowly smoothed as she got into the scene. Before it was over, she found she no longer needed a script. The audience applauded at the end, and her leading man insisted she take a solo bow center stage.

“Oh, that was wonderful,” she said. The lights dimmed. Then everyone slowly faded. The white-covered, carved wood dinner table returned to a bare card table. Her seat was a folding metal chair and her clothing what she’d put on that morning, still damp from the rain. Finding herself alone on the dark stage, Kaylee followed the dim-lit stairs and aisles out through the lobby.

The rain had stopped, and sun-haloed cumulous clouds cast rays of brilliant sunshine.

Kaylee looked back at the marquee she hadn’t seen clearly in the downpour. The last showing was still listed on the billboard: Time of Your Life by William Saroyan. Only one of the letters was missing. Tim_ of Your Life was crosshatched in black with a big CLOSED sign.

Below it another sign read, OPENING SOON – A NEW PLAY.

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The Book of Nathan

“What can you make of this?” The woman pushed the image across Nathan Shipley’s desk. Her soap-scrubbed scent contrasted with his unwashed odor and the mildew of the basement office. Nathan slipped his wire-rimmed spectacles back past his long hair and around his ears, then glanced down at the image. It was a single ideogram retouched to obscure its background, possibly a rubbing from a monument or headstone.

“Can you give me a little context? Where was this taken?” Nathan looked into the woman’s expressionless face. She appeared to be in her early thirties and in excellent physical shape, certainly not an academic. Military, he guessed, although she and the two large men with her wore gray business suits rather than uniforms.

“I’m sorry, Dr. Shipley,” she said. “I’m not permitted to reveal the location. Can you give me anything at all?”

“I’d guess it’s early Mycenaean, a predecessor to Linear A. But you knew that or you wouldn’t have come to me. Did it come off a building, a clay tablet, perhaps a pottery shard? With some context, I might venture an interpretation.”

“You could translate it?” Her eyes suddenly locked on his.

“With a wider sampling, most assuredly.” He feigned confidence, hoping he would get a chance to try. He touched the image. “This ideogram indicates time—the side marks are qualifiers.” The woman leaned in, eyebrows raised. “The leading qualifier negates prior time, the trailing one negates anything coming after.”

“Nothing before and nothing after?” The woman’s pressed palms almost clapped. “Alpha and omega?”

Nathan nodded. “Or infinity. If this came from a palace or a courthouse, it might symbolize final authority.” He scratched behind his hair-thatched ear. “On a tomb, it might indicate that time had lost all meaning.”

“Thank you, Dr. Shipley.” The woman pushed back her chair to stand. Thinking she was leaving, Nathan stood to see her off.

“We need you to come with us, Dr. Shipley.” She waved her two friends forward and whispered to them.

“I should be able to…” The woman grabbed his coat as the two men rushed him out to the waiting limousine. “Wait, my work…” Nathan protested.

 

Four months later, Nathan found himself on the observation deck of a Global Space Agency research lab far out in space.

“You brought me up here for this?” he asked, staring at the massive, metallic-glass sphere beside the lab. When GSA found it in Earth’s orbit three years earlier, they had keep it a secret—its location, hidden behind the far side of the sun, raised too many questions.

“What do you expect me to tell you?” Nathan asked, raising both hands, palms up. Beside him stood the woman who had kidnapped and accompanied him on the long trip to the space station.

“What it is … How to get inside,” she said, pointing to the sphere. “We’re at a standstill. You know how much money, how many scientists, how many crazy ideas are kicking around?” She looked at Nathan, her face contorted. “We’ve tried blasting, cutting, drilling—not even a dent. The thing just wobbles a bit and heals, like some indestructible bubble. We can’t even do a spectral analysis. We have no idea what sort of technology we are dealing with.”

“I suppose you tried going in the front door?” Nathan asked, tilting his head toward the sphere’s ornately embossed, other-century-style gateway.

“A field appears and blocks the way whenever we approach. Other than that, we’ve found no defenses and have gotten no reactions. Remember the symbol I showed you in your office?”

“The infinity ideograph?”Slide1

“It’s on the panel beside the gateway. You said you wanted context, a wider sampling. We think the panel might be interactive.”

“That’s it?” Nathan asked. “You want me to just walk up and say ‘hi.’” She nodded, lifting her eyebrows sheepishly and smiling.

Sixty minutes later, suited up for a spacewalk, Nathan hooked onto the cable-rail along the two-meter-wide platform connecting the GSA lab to the sphere.

As he approached, a field of white bloomed in the gateway, fluttering like wings of light. Then a clay-tablet-like panel emerged with the impression of the ideograph.

“Infinity,” Nathan murmured as he traced the panel’s symbol with his gloved finger. Another ideograph replaced the first, Who? Beneath it, Nathan clumsily traced an ideograph in the clay for “name” then the numeral six. The sixth day. The wings of light fluttered down. He entered the sphere.

The interior was bright. Gravity pulled Nathan’s feet onto a flat deck covered with living grass. The dome above displayed sunrise in a morning sky filled with drifting, puffy clouds, and a flock of birds, geese, honking like those he had seen as a boy, camping with his uncle up north. A stream-fed pond at the far side of a flowery meadow was nestled among trees, both evergreen and deciduous. Beyond them, hills rolled back to the horizon. Whitetail deer grazed nearby, lifting and lowering their heads.

“You have served your time, child of the sixth day, and may return,” a warm voice said. Nathan looked around for the source but saw no one. The fluttering white field again blocked the gateway. Longing to taste and feel the air, he removed his helmet and took a deep breath.

“Return to where? Where am I?” Nathan asked, feeling the sun warm his face and a breeze rustle his long hair.

“I prepared a special place for you, one with many rooms,” answered the voice.

“Is this a game or for real?” Everything felt, looked, and smelled Earth-like: gravity, atmosphere and terrain, plants and animals, the stream and clouds. More idyllic than Earth-like, Nathan thought as a hummingbird landed on his arm.

“I reach you where you are,” said the voice, “with what your mind is able to grasp. Your technical culture recoils from scrolls and clay tablets, anything not reducible to mathematical code, anything connected to your past. In growing, you have become uprooted. That is why I sent for you, Nathan Shipley.”

“You sent for me?” A chill shot up Nathan’s spine.

“By contacting your culture in the manner I did, I compelled scientists to seek you out and to ask the questions they have long forgotten. I created their paths for discovery long ago, in the stones, in the stars, and life itself—all things great and small. Yet those who followed my well-marked paths took credit only unto themselves, boastfully dismissing questions that would bring deeper understanding.”

“Why me?”

“You seek meaning in all things, not just the arrow pointing to the next arrow further up the path—the arrows I set. Your culture seeks the arrows only so its quiver might be filled.”

“I am just a collector and student of artifacts and ancient wisdom.”

“You are the one who will carry my message to my people,” the voice said softly. Nathan swallowed hard, feeling small and very frightened. The voice continued, “I will come again soon with a greater reality. It is a reality many will fear, for it will come upon them like a storm upon the sea. Others will embrace it. The wind will fill their sails and carry them forward. You must go and tell my people.”

Nathan trembled uncontrollably. “It is too much. I am weak and unworthy.”

“Two gifts I give you, fruit from each of my great trees.” A figure of light came forward with a tray bearing two star-like fruit: one green, one golden.

Nathan started. “But it is forbidden to—”

“Soon all may taste this fruit. They are for your mission.” The figure of light held out the tray and Nathan consumed the fruit. “Now go and tell my people.”

Light dimmed as the sun set beyond the hills. Other lights along the path directed him back to the gateway. The fluttering white field parted like a curtain. He found himself outside on the platform with his helmet in place.

Upon returning, Nathan was surrounded by scientists, engineers, and executives in the GSA main conference room. He had met and spoken with aliens—scientists refused to consider any other explanation. The medical staff found no damage from what the aliens had fed him; indeed, his health was extraordinary. The alien message that Nathan delivered threatened some and cheered others, just as the voice had told him. Most attributed it to post-trauma stress and delusion.

Nathan felt only calm. Cleverly worded legal documents he understood at a glance—even without his glasses, which he no longer required. He knew the tests scientists gave him were intended to twist the message he’d been given.

The next morning, a team prepared to re-enter the sphere. As they approached, the sphere vanished. Everyone at GSA seemed surprised, except Nathan. They decided to wait for its return. Hadn’t the message said, “I will come again?”

Nathan hid a smile. His new discernment told him the return would not be to the far side of the sun. “I must tell your people,” he murmured, remembering the voice and sensing the warm sun on his face.

Fill in the Blank

“The time has come, the walrus said, to talk of many things …”  – Through the Looking-Glass

 

Booths on one bare wall of the windowless waiting room were flanked by glass cases on two walls and opposite a single metal door centered on the far wall.

A new human strode boldly from one of the booths toward the exit. It wore red tights and a canary-yellow, breast-peaked T-shirt, and had spiky blue hair, pouty lips, and impossibly blue, saucer eyes. A second human wearing a white dress shirt, dark tie, and beige canvas trousers, walked out more slowly, her face buried in a schematic design for a fusion rocket motor.

“Next, L-F-O-O-Z, you’re next,” a handsome young walrus called from one of the assignment booths. A doughy blob in one of the glass cases looked around. None of the other blobs moved. It looked down at the label on its case. “Yes, you, Lfooz. Please come along. Don’t worry. Your name will change when you get assigned.”

The blob slid over the case wall onto the vinyl tile floor then oozed toward the assignment booth. The walrus official walk-paddled to the other side of a low counter and motioned for Lfooz to slide up. The nested stack of trays on the counter looked like one used to display jeweled earrings for purchase or to distribute communion cups.

“You understand why you’re here? Why this is important?” the walrus official asked, wiggling his close-cropped whiskers. Lfooz wrung itself like a wet towel. “Okay, let’s start with the basics. Do you know what you want to be in life?” Lfooz gave a slow twist.

“These,” the walrus said, setting a display tray in front of Lfooz, “are life choices.” The tray held capsules of all colors. “The one you pick determines your attributes: interests, character, intelligence, sense of humor, skills, and your setting—race, sex, nationality, family background. Some like to call it ‘the hand you’re dealt.’ Once you make your decision, you’ll proceed to birthing, forget your experience here, and live out your life. At life’s end, you’ll transfer to Ever-Endeavor (see explication in “Time Cube”) to harvest the fruits or wretchedness you’ve sown. Shall I show you some of your choices?” The walrus waved a flat flipper over the display trays.

Lfooz pointed a pseudopod. “What me? A walrus? Yah, some choices you only get once in life. I was being cocky—thought if I did something stupid they’d give me a do over.” Lfooz motioned to the door on the bare wall where the women had exited a moment before.

“Those two?” Lfooz’s dough body rose and fell. “You get to drive your life choice out of the showroom, but they’ll still have to go through birth, childhood, and adolescence. Sorry, that’s life.”

He pointed to a red capsule. “This one’s very athletic and doesn’t think too much. It comes in male and female versions, or a mix of both. Fans cheer and mates throw themselves at you. You make a lot of money, cover yourself with tattoos, abuse yourself with drugs and alcohol then die young in a bar fight. Comes with a full guarantee.” When he got no reaction, the walrus pointed to the blue capsule.

“This little baby is brilliant and also comes in male and female makes. It’s an inventor, a creator, makes a boatload of money designing stuff, but doesn’t have much time to spend it or to find mates. It lives a long quiet life with cars and cats for companions. Also guaranteed.” Lfooz rolled two doughy arms together, and the walrus moved on.

“The green capsule provides everything you need: food, housing, medical care, clothes, and you don’t have to lift a finger. You spend your days outside, looking at flowers and pigeons, and collecting money from passersby. It’s nondescript, most people won’t care what your sex is and neither will you. Guaranteed.”

The walrus went through the entire stack of trays and choices, and got no reaction. Then he asked, “See anything that interests you?”

Lfooz’s boneless mass rose and fell twice. It extended a dough finger to specific attributes for several capsules: the first, second, fifth, eighteenth, thirty-seventh.

“I see,” said the walrus, “you want a balance, to be a stable, healthy, wise, hard-working, dependable, and friendly person who divides time for family, profession, and other interests.” Lfooz rose and fell slowly.

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“Of course.” The walrus pulled a small cloisonné box from a rear shelf. Within its gold interior was a single white capsule. “This one can provide everything you hope for.”

Lfooz scanned the attributes list, each line followed with a single word “optional,” and pointed to the blank on the last line.

“No, it carries no guarantees.” When Lfooz looked puzzled, the walrus explained. “My mistake, it does have one guarantee. However you arrive in life, whatever your situation, your fate will be determined by decisions you make and the courage you have to see them through. This life starts where it starts and has neither ceiling nor floor.”

Lfooz took the white capsule and walked upright from the booth, determined to take the best of whatever life offered. No guarantees.