The pain left a great cold emptiness, like a railroad spike driven down through Kaylee’s heart then pulled out. She’d been with Tim for three years. Three years. He had broken the news to her that morning at Holly’s Café: He and Stasi were getting married in October.
After delivering his news, Tim dashed off without finishing his coffee, late to meet Stasi and make arrangements with Father Antonio at St. Mary’s. Quaking as she left Holly’s Café alone, Kaylee found the nearest bench along the street.
A taxi pulled to the curb, and a young woman in a white tennis outfit jumped out. A tall, fit man in red running togs and a white Adidas shirt caught her up and embraced her. After remarking how good their timing was, they passed Kaylee and went into Holly’s. Three pre-teen girls walked past, laughing, carrying books and a jump rope, and saying, “My momma, she … My teacher said …”
Kaylee heard none of it. Staring blankly, she barely noticed when the rain began to fall, gently then heavier. Dark spots widened on the pavement to join others, forming hopping splotches that ran to the drain. Kaylee rushed for home, grateful for the drops that cooled her tear-streaked cheeks.
Then the sky burst. Wind-blown rain lifted Kaylee’s dress and soaked her legs. People covered their heads with packages and backpacks as they ran, and cars dancing with rain sent waves up from fast filling puddles. Ducking onto a walking street, Kaylee leaned against the yellow brick on the lee side.
The rain picked up and wind shifted. Kaylee took cover under an old theater marquee and wondered how long she would have to wait.
A wide banner spanned the theater’s glass double-doors, red letters on white, THEATER printed diagonally on one door, CLOSED on the other. Inside the lobby was dark. Cupping her eyes against the glass, Kaylee saw an empty counter, an upset refuse bin, and playbills of past shows in framed, glass cases.
She pulled the handle and the door opened. The lobby smelled like a moldy, old theater complete with worn red carpets. Tan, threadbare paths leading to the auditorium arced around both sides of the service counter. Kaylee pushed through one of the doors and entered.
The auditorium was cool, dark, and dank, with a steady sound of dripping water. In the faint light from exit door markers and the ends of the rows, Kaylee saw the aisle sloping down in front of her and the outlines of seats—a quiet place to think. She took a seat in the fourth row, three seats in. As her eyes adjusted, she detected scattered trash and a broken seat with torn upholstery in her row. The dim-lit stage had no curtains and was bare except for a card table near center stage, three folding chairs, and a shaded floor lamp. Something scurried at the foot of the stage.
There was a sound of unhurried footsteps then the stage lights came up bright. Kaylee blinked, blocking the glare with one palm. A lanky, young man in faded jeans and a white T-shirt strode onto the stage. He slapped a sheaf of papers on the card table and rattled a metal chair as he sat. Pulling one sheet off the stack, he crossed his legs and leaned back to read.
A woman walked to the front of the stage then down the steps, turning to sit in the front row. She had long graying hair and wore a loose smock. After nodding to Kaylee, she spoke to the man on the stage.
“Will Jenna be joining us?”
“The metro tunnel is flooded. She’s stuck between stations.”
The woman leaned one arm across her seat and turned to Kaylee. “Excuse me, Ms., if you have a few moments, could we ask you to sit in, just until Jenna arrives, and read a few lines?”
Kaylee sat up, thinking of leaving.
The woman said, “You know, My Dear, Life Goes On?”
“The play, you might have heard we’re doing one by our local playwright, My Dear, Life Goes On.
“Of course, I’m sorry. My mind was wandering.” She introduced herself to the woman then to the man, who handed her the script for Jenna’s part.
After reviewing her lines, Kaylee noted that the card table had a white cover cloth and its legs were carved wood. Her seat had become an armchair upholstered in brocade. When she looked up, the man was wearing a white dinner jacket and she a strapless gown.
Heavy curtains parted to applause, and the lights spotted the dinner scene—all quite lovely. Kaylee stumbled reading her first lines, but no one seemed to notice. Her gestures slowly smoothed as she got into the scene. Before it was over, she found she no longer needed a script. The audience applauded at the end, and her leading man insisted she take a solo bow center stage.
“Oh, that was wonderful,” she said. The lights dimmed. Then everyone slowly faded. The white-covered, carved wood dinner table returned to a bare card table. Her seat was a folding metal chair and her clothing what she’d put on that morning, still damp from the rain. Finding herself alone on the dark stage, Kaylee followed the dim-lit stairs and aisles out through the lobby.
The rain had stopped, and sun-haloed cumulous clouds cast rays of brilliant sunshine.
Kaylee looked back at the marquee she hadn’t seen clearly in the downpour. The last showing was still listed on the billboard: Time of Your Life by William Saroyan. Only one of the letters was missing. Tim_ of Your Life was crosshatched in black with a big CLOSED sign.
Below it another sign read, OPENING SOON – A NEW PLAY.