What I Played for Love

The GPS signal was lost. I parked and walked in the dark, searching for house numbers. The house was small, wood-shingle-painted-white with dark framed windows, a covered porch, manicured yard, and wrought iron gate—not what I expected for an audition with a major studio.

The gate felt cool in my hand. I heard no street sounds, no cars, dogs, or music drifting out from windows. A night breeze stirred the flowers in the yard and rustled leaves on the poplar trees. The girl who invited me was at least two decades younger than I was and very pretty. She said she’d done some acting—I should try out. Based on my online profile, she said my life experiences would make my acting believable. She liked my smile, asked me to stand and turn around. I played along—I thought she was flirting. Now I doubted it. Acting? Really? The idea sounded foolish—now I felt foolish. All I’d wanted was an opportunity to be with a pretty young girl.

I suddenly envisioned meeting the girl’s parents and being asked to explain my intentions. A cold sweat shot up my back. This was an embarrassing mistake. A foolish old man acting as such pretty much summed up my acting talents. What would I say? That I’d come to their house to try out for an acting role? Pathetic. I lifted my hand quietly off the iron gate and turned to leave.

A sound caught my attention: whispers or birds chirping, coming from the dark porch, behind the hedge. Was someone laughing? I peered hard into the dark. Two figures stood and faced one another engaged in conversation. Were they in on this little joke?

plThe porch light switched on. Both figures were small, one cloaked and hooded the other bald and barely clothed with spidery limbs. They looked like characters from a fantasy sketch. Now I felt foolish for doubting. The acting invitation must be legit.

Pushing through the gate, I walked four steps up to the porch. The hooded figure dropped the hood back onto her shoulders. She was the pretty girl I’d met that morning.

“Mr. Johnson,” the girl said in her musical, accented voice. “So happy to see you. I thought you might not come.” She cocked her head and smiled slyly. “This is Redir Radnoub. She’s with our company. We were discussing the shortage of acting talent in the company, and I was telling her about our meeting this morning.

Redir Radnoub could have played a gnome in one of the Icelandic sagas, dark brown and craggy, completely hairless with a sleeveless, forest green jerkin and buff knee breeches. The odd weapon and device on her belt, however, might have been better suited to a space ranger.

The girl caught me staring. “Redir is a Clothelik.”

“Oh, very good,” I said, flushing at my misstep. “I’m sorry, I’ve never known any stage personalities.” Redir chirped to the pretty girl. The girl chirped back then turned to me.

“Redir understands and wishes you well on your recording trials.”

“Huh, oh, of course,” I gave a head bow and smiled. “Thank you, Redir. I forget that some actors need to stay in character between scenes.”

The girl chirped to the bald figure who bowed and smiled back, revealing double rows of triangular teeth before she left. I fought my reflex to jerk away. The extent some actors went to in their performances astounded me.

“Mr. Johnson,” the girl said, her hand sweeping back her cloak closure as it went to her hip. She was wearing a blue, star-spangled costume reminiscent of Wonder Woman. The hooded cloak was black and wizardly. The girl’s figure and winsome tone rekindled my ambition.

“Before we record, I need you to sign our agreement.”

“Certainly,” I said. “That is why I came.”

She led me inside to a roll-top desk where the document was ready for signing. Beside it lay a jade, Frawley, ballpoint pen. The room was quaint and feminine with cornflower blue curtains framing the windows, polished oak floors and arabesque, Turkish carpets. Slender-legged, wooden tables and chairs were grouped for reading and conversation, and flower-styled shades glowed softly from table and floor lamps.

I sat and read the short contract then signed. “When will I hear if I’ve been accepted?”

“I will be able to tell you before you leave tonight,” the girl said. “And of course, you will be paid for your time here, whether you are accepted or not. That is Clothelik law.”

“Of course,” I said, nodding as if I had any idea what Clothelik meant.

“The recording should not take long. If things do not go well, it may be very short, longer if your performance is excellent. You will be paid accordingly.” With that she led me to an elevator and motioned me to enter. She remained outside and pushed the down button.

The elevator opened to a red-carpeted hallway lined with recessed doors and gas lamps on ornate wall sconces. It reminded me of nineteenth-century hotels in old movies. I heard a muffled groan coming from up the hall. Something banged against a wall. A thin strip of light spilled out across the red carpet from a door slightly ajar. I walked quickly to the door and peered in, prepared to leap back if the sound came from a couple in the throes of passion.

The room was elegantly appointed with Italian-tiled floors and natural fur carpets: lion, tiger, zebra, and polar bear. A fire roared in the stone-sculpted fireplace. Centered on the ornately carved mantel was a glass and silver clock flanked by massive cut-glass candleholders mounting tall, flaming tapers. Heavy, blood-red drapes were drawn across two large windows. Opposite the fireplace, a beautiful young woman was bound and gagged in a dark mahogany, four-poster bed, each wrist and ankle stretched on a leather thong out to one of the posts.

The woman’s clothing was torn away, exposing her breasts and body down to her stomach and hips. Wide with fear, her dark eyes pleaded for me to help. Her twisting struggles seemed intentionally erotic. I felt my belt unbuckle and the front of my pants open. As I went to her, her twisting became desperate, her chest heaving. She shook her head. No. Her eyes shifted to something behind me, something coming through the door. Everything went dark.

I awoke unable to move, my eyes tightly closed against the wincing pain. Opening my eyes, I found myself tied to a massive poster bed. Blood red curtains were pulled across the windows. Large, bare breasts obstructed my view of a fire roaring in the fireplace. I twisted to lift my head and see myself. My rocking banged the bedposts against the wall. I had a woman’s body, fully exposed with her clothing torn open. I tried to yell around the gag. All that came out was a muffled groan. The leather thong tore the sides of my mouth. I tasted blood.

A hand slid around the door, a man’s hand. He was tall, dark, and rugged, dressed like he’d come off safari. He approached slowly, his dark eyes drinking in my naked, helpless, womanly body before dwelling to my heaving breasts. The man smiled wickedly, unbuckling and unzipping his pants as he approached me. I tried again to scream. Another hand slid inside the door, this one larger with claws like long tines on old thrashing machines. I twisted, trying to warn the man. No. Unable to use my hand, I pointed a shoulder, but only succeeded in drawing his eyes to my upraised nipple.

The monster took the man’s head with one stroke. Blood gushed like a torn fire hose. Then the grotesque monster reached for me, and everything went dark.

I suddenly found myself back in the red-carpeted hallway lined with gas lamps. Protesting groans came from an open doorway. I bounded toward it, prepared to leap in and kill whatever I found. My hand came up, no longer a hand. Scythe-like claws made it useless for anything but ripping flesh.

A fire roared in the fireplace. A dark-haired man stood over a naked woman bound to the bed and trembling in fear. As the man was working his pants down off his hips, I slashed out, separating his head, right shoulder, and arm from his torso. The scent of fresh blood roused my carnal instinct. The girl on the bed struggled to pull back from me. Her soft, quivering, tender body promised well-marbled meat.

I next entered the hotel room as the cleaning lady discovering the bodies, then as the police investigator, then the beautiful girl’s shocked boyfriend then the sobbing, frightened mother. Then I found other victims: a young schoolgirl in her bedroom, her boyfriend sneaking in through the window, many more. I played every role until the scene changed.

A storm-tossed sea viewed from the rolling deck of a pirate ship. Mountainous waves towered, carrying the ship up and up then down, down into valleys of foaming water before rising again. White-capped waves crashed and washed over the deck, pulling at lashed cannons, barrels, and boxes. I braced but was thrust back against the taffrail. I looked up at the reefed courses and topsails. Only the main and foremast staysails held the ship’s position against the high wind.

“Cap’m,” shouted the scar-faced shipmaster against the wind, his half-haired head pouring like a waterfall. He was a scurvy old salt with several missing teeth and the rest black-pitted. “They got us, Cap’m.” He pointed to the frigate riding our wake, gun ports open, and flying a red British banner. “She’s closin’ fast, Cap’m. Soon as this gale blows over, they’ll be on us. Less we toss them guns and lose weight, these seas ‘ave seen the last of the Shaggin’ Pirate.

Soon the hull and gunwales exploded in splinters, grappling hooks flew, hooking the shattered gunwale and rigging, cutlasses slashed, halberds thrust and tore, and flintlock guns flashed, blowing gaping holes in heads and bodies.

I next saw the pirate ship as the shipmaster at the helm of the British frigate then as the frigate’s commander then as the chief gunner then as the boy who fell from the yardarm as the ship rolled and drowned in the sea.

The scene changed. Da-ga-dum, da-ga-dum, da-ga-dum. My horse was tiring. I knew she’d soon go down. An arrow protruded from my shoulder, too far back for me to snap it off. I’d already broken one off my arm. My buckskin shirt was half red and dripping blood. The war-whoops were getting closer. I knew Shawnee war parties always brought extra horses, and they carried less weight.

I topped the rise and looked down. Our cabin was a black, smoldering shell, so was the corncrib. The corral was empty. No fresh horses. Two bodies lay spread-eagle in pools of their own blood, Helen and one very small—Tommy.

A Shawnee brave topped the rise just behind me and sent up a loud whooping cry. The scene was short, but staking me out on an anthill made it feel longer. I didn’t want to go through what my wife and boy did, desperately defending our cabin before the raiding party cut them up, but I had no choice. Then as a young Shawnee warrior, I felt the thrill of vengeance and returning home to my very young bride and coupling with her on deerskin floors.

Others scenes followed: battles, adventures, disasters—one after another without any break, each different, on and on.

Then suddenly things quieted. I was back in the red-carpeted hallway, looking like myself. I took a long, shaky breath, barely able to stand. All the recessed doors were closed. Ding, the elevator door opened. I stumbled through and collapsed. Sitting, I watched the door close and felt the lift. I leaned back against the wall. The elevator dinged and opened. I used the handrail to haul myself onto my wobbling legs and stepped out.

The room was quaint and feminine with polished oak floors and Turkish carpets, cornflower blue curtains, and slender-legged, wooden furniture.

“Mr. Johnson,” a musical voice called. The pretty girl sat on a loveseat upholstered with maroon velvet embroidered with flowers. Beside her on a low Chippendale table were a silver tray and coffee carafe with blue China cups and saucers and the legal document we’d signed.

“You are amazing, Mr. Johnson. The Clothelik are quite impressed with your work. You have had the most amazing career.” She invited me to sit and offered to pour me some coffee. I take it black. My trembling hand rattled the China cup and saucer. I steadied them with both hands.

“Huh? My career?” I said, barely aware. “What career might that be?”

The pretty girl nodded. Her hood remained down around her shoulders, but the dark cloak was discreetly closed in the front. “Indeed. Your acting career spanned twelve complete series, each with twelve episodes, and with you playing every character. That’s one hundred forty-four episodes and several times that many characters. No one ever … I mean not anyone in the entire galaxy … has had such a glorious career. You have been my finest recruit, Mr. Johnson. And you are a very, very, VERY rich man. And I am much richer too for having signed you.”

“What is this Ms.— I’m sorry. I can’t even recall your name.”

“That is not important, Mr. Johnson,” the girl said, her eyes smiling and hair tossing on her beautiful, bobbing head. “I’m leaving Earth very soon and never returning. That is Clothelik law. We were authorized to record sensations for a hundred forty-four episodes. Your experiences alone have filled our allowance.”

“What are Clothelik?” I asked weakly.

“We are the ascendant species on Epsilon Eridani. You met two of us, me and my sister, Redir Radnoub. She’s not a recruiter so she isn’t authorized to wear a human soma or translator. They are quite expensive, you know.”

I raised my eyebrows and rocked my head then paused a beat and asked, “You say I am a rich man?”

“One of the richest in the galaxy, Mr. Johnson, perhaps the richest. And once your series begins to be felt, you’ll also be the most famous and popular. The violence, adventure, and passion of primitive species are in high demand across the galaxy. Unfortunately, those qualities have also held you back. We cannot interfere with Earth’s direction or pace of progress, so you’ll have to wait to collect your treasure. Come any time to Epsilon Eridani or to any of the subsidiary Rigelian or Canopian banks. The contract you signed empowers the Clothelik to manage your money until you or someone you designate comes to collect. The total sum will likely exceed the net value of this entire star system.”

She tilted her head and smiled like a small girl might. Then in a bell-like voice she said, “Thank you for your wonderful sensations. Is there anything else I can do before you leave?”

“I suppose you and your sister, r-r-r Rider Redrum—”

“Exactly alike. Eighteen of us from the same litter.”

I nodded, disappointed. “What day is it?” I felt I’d aged twenty years.

“Why Friday night of course. The same night you arrived. Your session only took,” she looked at the grandfather clock, “two hours and twenty-three minutes. Compression algorithms help us keep down recording costs.”

She walked me out the front door. “Oh, one thing I forgot to mention—your fan club. If your fans knew your real name and where you were from, they’d descend on this planet in the millions, billions in your case, and destroy it in their fan frenzy. Don’t worry, we never release actors’ real names or locations.”

With that she closed the door and turned off the porch light.

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