Pardon Me!

They reopened Jacamar Prison just for Mickey Gallop. That meant old-style isolation, a six-by-eight-foot concrete closet, no windows, a bolted steal door with a food slot, no visitors, no links to the outside, and twenty-minutes-a-day fresh air in a dog-run that had been an elevator shaft.

After the media row and his harrowing trial for kidnapping, Mickey felt lucky he hadn’t gotten the death penalty. He knew Lisa Tooley was a famous benefactress, though never seen in public, but he had no idea how reliant people had become on her. Most of the evidence that could have helped Mickey’s case was barred, a violation of Lisa’s privacy, and treated like sacred writ. One might believe he had driven spikes into a holy saint.

solitary-confinementThat was the problem—Mickey Gallop knew Lisa Tooley was no saint. He also knew that if they discovered the full extent of his crime, his hundred-and-forty-year sentence would have been longer.

His pardon came as a surprise—in just thirty days.

 

By his own reckoning, Mickey Gallop was not a bad man, merely a hapless one who balanced his deficits with opportunistic sneak-thievery. Whatever he found unattended was his: a laptop, a bicycle in a rack, a coat on a hook, a shopping bag left on a bench. These were his small daily blessings. The unattended refrigerator truck looked like too big of a blessing. Mickey would have questioned it himself if it hadn’t been so easy.

It was midday on Friday, and weekend traffic was heavy. Mickey was walking on Telegraph Road when he saw the bumper-to-bumper snarl just before the exit at Woodward . It was ninety-six degrees. The sun beat down relentless in a cloudless sky. Drivers got out to strut their frustration and cool their backsides. A red-haired babe stood on the seat of her red Mercedes convertible. Her sweat-clung blouse revealed her fine figure and disregard for undergarments. She raised her arms high over her head to catch the breeze. More drivers stepped from their cars.

Traffic was clearing on the inner lane. When Mickey saw the driver of the reefer leave the truck with the door open and motor running, he didn’t need an invitation.

Mickey steered the truck left into the open lane and accelerated, leaving the red Mercedes gawkers far behind. He thought he had gotten away clean but later realized too many cameras on the red-haired babe had caught him fleeing the scene. He left Telegraph and took 45 north out of town. Twenty-eight miles later, he pulled into his cousin Gaston’s workshop garage.

Mickey had no trouble getting into the back of the truck, but the refrigerated cargo was useless—a brain. As part of rehab he’d watched a forensic surgeon take one out of the head of some dead, homeless guy. To Mickey human brains weren’t much different from pig brains.

He thought it would be a bad idea to try to sell the brain back to the police or to a medical school. He might be able to hock the pumps, gauges, water tank, and computer hardware. The reefer unit on the truck might be worth something.

He disconnected all the tubes and wires, threw the brain into the dumpster in the alley, and hauled the technical equipment to the workbench. Most of it looked new and high end, which meant it could probably be traced. Mickey began stripping and filing off any tags or plates that would show the stuff was stolen.

The hot news on TV was the Lisa Tooley kidnapping. Mickey watched and listened while he worked but never made the connection. Her foundation wanted her back and was offering big bucks as a ransom or reward, no questions asked. Again, Mickey missed it.

When they showed the refrigerated truck leaving the scene on Telegraph Road, he paid closer attention. Lisa Tooley was not in good health the reporter said, and she required immediate specialized care. There was a catch: If any information were leaked on Tooley’s condition, no reward would be given.

Mickey ran to the dumpster and found the trash scattered. Two dogs faced one another growling. Lisa Tooley’s brain, a broken syringe, and a crushed diet soda can laid between them. Mickey shouted and threw a broken pickle jar. The Schnauzer ran. The Spitz-Poodle clawed its way over a chain-link fence.

Mickey brushed watermelon seeds and coffee grounds off the brain then tried to hook it back up to the equipment. He restarted the refrigeration unit, pumps, and monitors—got zero on the gauges and a flat line. No reward for numero uno, he thought.

Near panic, he looked for some release. His girlfriend Inez was no longer young and no one’s idea of a catch, but Mickey knew not to tell her that. Robots are sensitive. He’d gotten her second hand, and she wasn’t top-of-the-line, but she was a real Dollbaby 2727. Inez had scratches and dents and had lost some hair, but she said and did all the right things in all the right ways. Mickey loved her—in his own way. He’d spent a lot of time training her, too, so Inez knew exactly when to submit and cooperate or pout, scold, and push back, whatever it took to get him excited.

In the throes of ecstasy, Mickey got an idea. He’d hate parting with Inez, but that reefer truck was all over the news. Someone must have seen him drive it into the garage.

After instructing Inez to respond only to the name Lisa Tooley, he kissed her one last time and guided her into a corner of the garage. He removed Inez’s operating and memory chips then connected them to the computer and to wires from Lisa Tooley’s brain. His installation was clumsy guesswork, but it only had to work for a short time—long enough for him to get the money and skip town.

Who would have thought the executive directors of the Lisa Tooley Foundation were all a bunch of lying crooks? Once they had their genius benefactor back, they threw the book at Mickey Gallop. Then they buried him and his big secret … revelation of which, Mickey figured out during the trial, would have brought down the stock market and caused a world depression.

But thirty days is a long time for a Dollbaby 2727 to go without her ‘daddy’, and Mickey had neglected to reset Inez’s timer.

 

The warden, the governor, a boatload of high muckety-mucks met Mickey with their hats in their hands. So sorry … Of course, the reward … travesty of justice … fine man like yourself. Lisa Tooley said she needed her Mickey baby—and a lot of other things the foundation execs weren’t comfortable repeating. Would Mickey meet with her, tell her what she needed to hear? Of course, he shrugged.

Mickey decided to let it roll and play this for all it was worth. They needed him to show up every thirty days to “take care of Lisa.” How Inez pulled it off, he had no idea.

 

Other stories about Dollbaby 2727: Artificial Love and Dollbaby 2727

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Opening Soon

Kaylee felt a great cold emptiness after their breakup, like a railroad spike driven down through her heart then pulled out. She’d been with Tim for three years. Three years. He had told her that morning at Holly’s Café: He and Stasi were getting married in October.

After delivering his news, Tim dashed off without finishing his coffee, late to meet Stasi and make arrangements with Father Antonio at St. Mary’s. Quaking as she left Holly’s Café alone, Kaylee found the nearest bench along the street.

A taxi pulled to the curb, and a young woman in a white tennis outfit jumped out. A tall, fit man in red running togs and a white Adidas shirt caught her up and embraced her. After remarking how good their timing was, they passed Kaylee and went into Holly’s. Three pre-teen girls walked past, laughing, carrying books and a jump rope, and saying, “My momma, she … My teacher said …”

Kaylee heard none of it. Staring blankly, she barely noticed when the rain began to fall, gently then heavier. Dark spots widened on the pavement to join others, forming hopping splotches that ran to the drain. Kaylee rushed for home, grateful for the drops that cooled her tear-streaked cheeks.

Then the sky burst. Wind-blown rain lifted Kaylee’s dress and soaked her legs. People covered their heads with packages and backpacks as they ran, and cars dancing with rain sent waves up from fast filling puddles. Ducking onto a walking street, Kaylee leaned against the yellow brick on the lee side.

The rain picked up and wind shifted. Kaylee took cover under an old theater marquee and wondered how long she would have to wait.

A wide banner spanned the theater’s glass double-doors, red letters on white, THEATER printed diagonally on one door, CLOSED on the other. Inside the lobby was dark. Cupping her eyes against the glass, Kaylee saw an empty counter, an upset refuse bin, and playbills of past shows in framed, glass cases.

She pulled the handle and the door opened. The lobby smelled like a moldy, old theater complete with worn red carpets. Tan, threadbare paths leading to the auditorium arced around both sides of the service counter. Kaylee pushed through one of the doors and entered.

The auditorium was cool, dark, and dank, with a steady sound of dripping water. In the faint light from exit door markers and the ends of the rows, Kaylee saw the aisle sloping down in front of her and the outlines of seats—a quiet place to think. She took a seat in the fourth row, three seats in. As her eyes adjusted, she detected scattered trash and a broken seat with torn upholstery in her row. The dim-lit stage had no curtains and was bare except for a card table near center stage, three folding chairs, and a shaded floor lamp.

Something scurried at the foot of the stage. “Maybe it’s Tim,” Kaylee snorted, but she knew she couldn’t dismiss him that easily. She felt too empty to be flippant. He’d been so cheerful that morning, telling her his big news, seemingly unconcerned about her feelings. Was it really that easy for him? She would never feel his hands again or his kisses. When she reached over at night or looked across the table, he wouldn’t be there. No more running in the surf together or flying kites. Would she hear his laugh again, feel the same thrill, possibly in harmony with another laugh? Would she laugh again—ever?

The sound of unhurried footsteps crossed the dark stage then the lights came up bright. Kaylee blinked, blocking the glare with one palm. A lanky, young man in faded jeans and a white T-shirt strode onto the stage. He slapped a sheaf of papers on the card table and rattled a metal chair as he sat. Pulling one sheet off the stack, he crossed his legs and leaned back to read.

A woman walked to the front of the stage then down the steps, turning to sit in the front row. She had long graying hair and wore a loose smock. After nodding to Kaylee, she spoke to the man on the stage.

“Will Jenna be joining us?”

“The metro tunnel is flooded. She’s stuck between stations.”

The woman leaned one arm across her seat and turned to Kaylee. “Excuse me, Ms., if you have a few moments, could we ask you to sit in, just until Jenna arrives, and read a few lines?”

Kaylee sat up, thinking of leaving.

The woman said, “You know, My Dear, Life Goes On?”

“Excuse me.”

“The play, you might have heard we’re doing one by our local playwright, My Dear, Life Goes On.

“Of course, I’m sorry. My mind was wandering.” She introduced herself to the woman then to the man, who handed her the script for Jenna’s part.

After reviewing her lines, Kaylee noted that the card table had a white cover cloth and its legs were carved wood. Her seat had become an armchair upholstered in brocade. When she looked up, the man was wearing a white dinner jacket and she a strapless gown.

10_oriental_theater_chicago-e1483917340596Heavy curtains parted to applause, and the lights spotted the dinner scene—all quite lovely. Kaylee stumbled reading her first lines, but no one seemed to notice. Her gestures slowly smoothed as she got into the scene. Before it was over, she found she no longer needed a script. The audience applauded at the end, and her leading man insisted she take a solo bow center stage.

“Oh, that was wonderful,” she said. The lights dimmed. Then everyone slowly faded. The white-covered, carved wood dinner table returned to a bare card table. Her seat was a folding metal chair and her clothing what she’d put on that morning, still damp from the rain. Finding herself alone on the dark stage, Kaylee followed the dim-lit stairs and aisles out through the lobby.

The rain had stopped, and sun-haloed cumulous clouds cast rays of brilliant sunshine.

Kaylee looked back at the marquee she hadn’t seen clearly in the downpour. The last showing was still listed on the billboard: Time of Your Life by William Saroyan. Only one of the letters was missing. Tim_ of Your Life was crosshatched in black with a big CLOSED sign.

Below it another sign read, OPENING SOON – A NEW PLAY.