Many readers of Strange Things Done are also writers of speculative fiction—science fiction, fantasy, magical realism, and/or horror—and are writing or have written novels. My posted stories, what I call bagatelles, are offhand pieces that I use to clear my thoughts while working on my own novel, The Starflower. I’ve only mentioned this in my profile, but it has been my primary writing effort.
Before final revision, I’m taking Ursula K. Le Guin’s advice to authors and giving Starflower a three-month rest. That said, I meet an agent next month and need a pitch … something one might see on a dust jacket.
Let me know what you think … too much, too little? I’m interested in all thoughts particularly from those with this sort of experience. Encouragement is also appreciated. Thanks, Keith
A possible dust jacket intro:
Twelve years into the Aldrakin War, on the eve of what will be the last battle, Gayle Zimmon, the commander of Five Squadron stands on the bridge of the Star Cruiser Lasalle in orbit around the engineered planet Bai-Yota. Disillusioned by the war and at odds with her commander, Star Lord Abramyan, Zim has almost lost hope for the future. Her combat team is all she has, and for their sake, she continues to wear the cold mask of command.
An allied squadron arrives with her old friend, the Tak-Yaki mantid named Tock, and together they win an improbable victory that ends the war. Zim’s dreams resurface. But when she is recalled to the capital planet Corydon, she finds it in turmoil. Creatives, genetically enhanced humans, are taking over the major planets, and Unders, those not worthy of enhancement, are being cleared.
Though an Under herself, Zim wants no part in this. Her war is over and she wants a real life. But the resistance has taken her military call sign, the Starflower, as its symbol, and the insurgents expect her to lead them. Abramyan and the sinister Star Council cannot risk her intrusion in the takeover, particularly in its last critical phase.
As the story develops, Zim returns to combat, faces assassins, reconnects with her lost love, discovers an alien prophecy, gets marooned, forms a compact with a pan-dimensional entity, and encounters aliens, soul-traders, artificial sentients, pirates, and robots.
The Starflower is a space opera on the scale and tradition of Dune, Star Trek, and Star Wars. Like those foundational epics, it creates a universe of alien cultures, technologies, and characters to live on in sequels and spin offs.
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